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The art by Ploog and Sutton would be some of the finest they would create in their careers. Mike Ploog, taking advantage of the black & white format, would quickly move to producing richly textured pencils which would be published as he drew them with no inking whatsoever. Sutton, known for his wild designs would let himself go free and produce artwork far and beyond what had been seen in such comics before. The only problem would be that their work was so incredible, so inventive and so detailed that the reader could not be guaranteed of an installment in each issue. But when they did show up, they were great! Moench recalled: "I could say things to Mike Ploog in the beginning and then later on I wouldn’t have to say them. I could ask him what he liked to draw and then tailor a story to h

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