About: Eldorado Finale (deleted 20 Apr 2008 at 18:09)   Sponge Permalink

An Entity of Type : dbkwik:resource/RKKUyaMc0HTBM7MUoKgMcw==, within Data Space : dbkwik.org associated with source dataset(s)

Eldorado Finale is the tenth and final track from Eldorado a symphony by the Electric Light Orchestra. The closing track is heavily orchestrated much like Eldorado Overture. Upon careful listening on this track, the noises of impatient double bass players closing their cases can be heard. "I like the heavy chords and the slightly daft ending, where you hear the double bass players packing up their basses, because they wouldn't play another millisecond past the allotted moment." - (Jeff Lynne Liner notes (2000 - Flashback)

AttributesValues
rdf:type
rdfs:label
  • Eldorado Finale (deleted 20 Apr 2008 at 18:09)
rdfs:comment
  • Eldorado Finale is the tenth and final track from Eldorado a symphony by the Electric Light Orchestra. The closing track is heavily orchestrated much like Eldorado Overture. Upon careful listening on this track, the noises of impatient double bass players closing their cases can be heard. "I like the heavy chords and the slightly daft ending, where you hear the double bass players packing up their basses, because they wouldn't play another millisecond past the allotted moment." - (Jeff Lynne Liner notes (2000 - Flashback)
Length
  • 72.0
dbkwik:speedydelet...iPageUsesTemplate
Label
Album
Producer
Name
  • Eldorado Finale
Genre
Cover
  • elo Eldorado.jpg
PREV
  • "Eldorado"
track no
  • 10(xsd:integer)
Released
  • 1974(xsd:integer)
Artist
Recorded
  • Feb - Aug 1974
Writer
prev no
  • 9(xsd:integer)
abstract
  • Eldorado Finale is the tenth and final track from Eldorado a symphony by the Electric Light Orchestra. The closing track is heavily orchestrated much like Eldorado Overture. Upon careful listening on this track, the noises of impatient double bass players closing their cases can be heard. "I like the heavy chords and the slightly daft ending, where you hear the double bass players packing up their basses, because they wouldn't play another millisecond past the allotted moment." - (Jeff Lynne Liner notes (2000 - Flashback)
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