In an interview with HitQuarters saxophonist Nick Gatfield described the recording as a "long drawn out painful process". It marked a telling and troubling shift from "Too-Rye-Ay", as unlike that record, which was made very inexpensively and "had an energy about it", "Don't Stand Me Down" cost a huge amount of money and, according to Gatfield, "felt uncomfortable and unnatural".
| Attributes | Values |
|---|---|
| rdfs:label |
|
| rdfs:comment |
|
| dcterms:subject | |
| abstract |
|