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| - Prior to joining Henson, Dunsterville had worked in the art department for Gerry Anderson's puppet projects Thunderbirds, its film sequels, and Captain scarlet and the Mysterons. He designed the SPECTRUM logo used on the latter series. He constructed models for the 1978 Superman film, worked effects on Ladyhawke, prosthetics for Tobe Hooper's Lifeforce, and built models, sets and props for Cosgrove Hall's stop-motion animated Wind in the Willows TV series. After leaving the Creature Shop, he worked on High Spirits (with Peter O'Toole), Who Framed Roger Rabbit?, and creature mechanics for The Neverending Story II. He was the key animatronic engineer on An American Werewolf in Paris.
- Anthony Charles D'Arcy "Tony" Dunsterville (1937 – 21 August 2008) worked for A.P. Films as a miniature props specialist who worked at A.P. Films. He, along with Arthur Cripps, Eddie Hunter, and Steward Osborne, furnished Creighton-Ward Mansion with a rug made from a piece of fur fabric, small plaster busts cast to the same size as the puppet heads, mock Tudor paintings, and 1/3 scale period chairs, which were based on Regency and Georgian furniture.
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| - Prior to joining Henson, Dunsterville had worked in the art department for Gerry Anderson's puppet projects Thunderbirds, its film sequels, and Captain scarlet and the Mysterons. He designed the SPECTRUM logo used on the latter series. He constructed models for the 1978 Superman film, worked effects on Ladyhawke, prosthetics for Tobe Hooper's Lifeforce, and built models, sets and props for Cosgrove Hall's stop-motion animated Wind in the Willows TV series. After leaving the Creature Shop, he worked on High Spirits (with Peter O'Toole), Who Framed Roger Rabbit?, and creature mechanics for The Neverending Story II. He was the key animatronic engineer on An American Werewolf in Paris.
- Anthony Charles D'Arcy "Tony" Dunsterville (1937 – 21 August 2008) worked for A.P. Films as a miniature props specialist who worked at A.P. Films. He, along with Arthur Cripps, Eddie Hunter, and Steward Osborne, furnished Creighton-Ward Mansion with a rug made from a piece of fur fabric, small plaster busts cast to the same size as the puppet heads, mock Tudor paintings, and 1/3 scale period chairs, which were based on Regency and Georgian furniture. For Captain Scarlet and the Mysterons, Dunsterville designed the Spectrum logo. He was born in Oxford, Oxfordshire, during the fourth quarter of 1937.
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