is a uniquely formulated sword style created by the First Eikage as a parent style meant to be imparted to her village. Hence she didn't expect its development to be completed in her lifetime; rather she placed the foundations from which further growth be nurtured. During her time as the primary curator of the art, Kemuri focused on speed and precision, drawing heavily from her time in Land of Iron and her lessons of Iaidō. Though her version doesn't emphasize the drawing and sheathing of the sword as heavily as the parent style, it is nonetheless imperative to the Blade-Style. For it formulates the beginnings of "interconnectedness", namely strikes that begin exactly where the other ended. Namely a precision that makes any start and stop motion completely indiscernible or at the very leas
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| - is a uniquely formulated sword style created by the First Eikage as a parent style meant to be imparted to her village. Hence she didn't expect its development to be completed in her lifetime; rather she placed the foundations from which further growth be nurtured. During her time as the primary curator of the art, Kemuri focused on speed and precision, drawing heavily from her time in Land of Iron and her lessons of Iaidō. Though her version doesn't emphasize the drawing and sheathing of the sword as heavily as the parent style, it is nonetheless imperative to the Blade-Style. For it formulates the beginnings of "interconnectedness", namely strikes that begin exactly where the other ended. Namely a precision that makes any start and stop motion completely indiscernible or at the very leas
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| debut shippuden
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| literal english
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| jutsu classification
| - Kenjutsu, Chakra Flow, Fighting Style
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| unnamed jutsu
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| Users
| - Kemuri Monodukuri, Rosuto Shifu, Hyon, Jōnetsu Nagabi, Namima Uzumaki
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| abstract
| - is a uniquely formulated sword style created by the First Eikage as a parent style meant to be imparted to her village. Hence she didn't expect its development to be completed in her lifetime; rather she placed the foundations from which further growth be nurtured. During her time as the primary curator of the art, Kemuri focused on speed and precision, drawing heavily from her time in Land of Iron and her lessons of Iaidō. Though her version doesn't emphasize the drawing and sheathing of the sword as heavily as the parent style, it is nonetheless imperative to the Blade-Style. For it formulates the beginnings of "interconnectedness", namely strikes that begin exactly where the other ended. Namely a precision that makes any start and stop motion completely indiscernible or at the very least minute. This particular portion is designed to bypass defenses in a manner that mimics multiple swords when only one is swung. As the first utilizer of this aspect, Kemuri can be assumed to have mastered it. Second is sharpness. This is the blade-style's definition of power; rather than simply cutting through things with brute strength, one possesses the sharpness to cut through objects like a hot knife inflicted on butter. Hence it is paramount that the armament's upkeep be maintained; it serves as the equal to the speed developed in the earlier. Namely, a sharp blade makes the interconnectedness initiative more effective, creating headway that the practitioner can capitalize upon for significant gains. A second way to mimic such sharpness is through the art of chakra flow, manifesting a second blade that overlays the first. In this form it can either serve as a wedge or the primary slicing mechanism, forming openings in the defense of an adversary before reaching the target. When the two aspects are combined, such a sharpness is proven to capable of slashing even formidable entities such as Susanoo. Forming a blade of the user's resolve, certain to eviscerate all obstacles that dare stand in their way.
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