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In an interview with HitQuarters saxophonist Nick Gatfield described the recording as a "long drawn out painful process". It marked a telling and troubling shift from "Too-Rye-Ay", as unlike that record, which was made very inexpensively and "had an energy about it", "Don't Stand Me Down" cost a huge amount of money and, according to Gatfield, "felt uncomfortable and unnatural".

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  • Don't Stand Me Down
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  • In an interview with HitQuarters saxophonist Nick Gatfield described the recording as a "long drawn out painful process". It marked a telling and troubling shift from "Too-Rye-Ay", as unlike that record, which was made very inexpensively and "had an energy about it", "Don't Stand Me Down" cost a huge amount of money and, according to Gatfield, "felt uncomfortable and unnatural".
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  • In an interview with HitQuarters saxophonist Nick Gatfield described the recording as a "long drawn out painful process". It marked a telling and troubling shift from "Too-Rye-Ay", as unlike that record, which was made very inexpensively and "had an energy about it", "Don't Stand Me Down" cost a huge amount of money and, according to Gatfield, "felt uncomfortable and unnatural".
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