Well, I don't think anyone is "nobody"! I'm always happy to answer questions. I remember when I was a student how much I appreciated those musicians who were willing to give me useful information. I like to pass on the favor if I can. I first met Paul McCandless around 1987 when his group Oregon toured with a band I played in called Montreux. The rest of the people I met when Suzanne asked me to participate in a live CD/DVD recording about ten years later. No, sorry! But there is the live recording from 1997...
Well, I don't think anyone is "nobody"! I'm always happy to answer questions. I remember when I was a student how much I appreciated those musicians who were willing to give me useful information. I like to pass on the favor if I can. I'm lucky in that I get to play lots of different kinds of music and I learn something from each situation. I love being able to play solo, but it's always nice to switch roles and interact with other musicians. Improvising is like having a conversation and it's fun to see where the music goes when you work with others. There aren't so many surprises when you play solo! I first met Paul McCandless around 1987 when his group Oregon toured with a band I played in called Montreux. The rest of the people I met when Suzanne asked me to participate in a live CD/DVD recording about ten years later. No, sorry! But there is the live recording from 1997... No. I love the bass! There's something about the sound that just keeps me fascinated. I like playing other instruments occasionaly, but for me, nothing else has the power and expressiveness of the bass. The first nationally released recoding I played on was Michael Hedges' Breakfast in the Field in 1980. My first solo recording came out in 1986 and I played on a lot of recordings as a session musician all during that time. I think almost all of them are out of print now, though. __NOEDITSECTION__